2017- In the Attic SP Escola de Teatro, Sao Paulo, Brazil
2017 -Workshop, Embodiment of Space and Character, SP Escola de Teatro, Sao Paulo, Brazil
2017- In the Attic Armazém da Utopia Rio de Janeiro, Brazil
2017-18- Mindfulness Meditation for Veterans on the campus of the University of Maryland, College Park
2016- Baltimore (playwright Kirsten Greenidge) Produced by the School of Theatre, Dance, and Performing Studies at the University of Maryland, and the Clarice. Coached by Colleen Harris
2016 Facilitating Communication about Diversity through Performance, Committee on Institutional Cooperation, Academic Leadership Program
2016- Musician Health, American University WDC
2015 - Dante, a celebration of life, Italian Cultural Center WDC in collaboration with the School of Music and the Italian Department at the University of Maryland, College Park
2015 - Hank Leaves Home, a theatrical concert, NY International Fringe Festival, Erik Heger co-creator and performer
2015 - Boundaries, Maya Angelou Academy/New Beginnings Juvenile Detention Center WDC, Residency and Performance
2015 - Bucket List, a solo piece about life and death
2015 - Shakespeare Theatre, WDC Lecture-Demonstration Moliere and the Gesture of Social Commentary
2014 - Architecture of a Hero, multi-media presentation in collaboration with the Shock Trauma Center, Baltimore MD and Hargrove Inc.
2014- In the Attic Workshop Production, Loyola University
2014 - Nothing, a theatrical clown journey, Baltimore Fringe Festival; Audience Best Pick
2014 - The Experiment, Jennifer Barclay playwright, a symposium focused on gender equity, sponsored by the Department of Physics, University of Maryland, College Park
2014 - Division of Research, University of Maryland, College Park,
The Art of Presentation, Teaching STEM scientists communication skills
2013 - Infinite Stage, Audience Engagement with Site-Specific Performance, Experience Innovators Symposium at the Philips Collection, WDC
2010-2014 - Teaching as Performance National Lilly Fellow Conference, Scholarship of Teaching, WDC, Traverse City, MI
2009-2018 - Measure of Our Lives a collaboration with the Smithsonian Institution’s National Portrait Gallery, students from the School of Theatre, Dance, and performance Studies at the University of Maryland, College Park, and Paint Branch School in Prince Georges County, MD
2012 – Leslie Felbain co-director The Telling Project with military veteran’s in collaboration with the Library of Congress’s Veteran’s History Project
2012-2017- Alexander Technique, Presentational Skills, Stress Reduction, Peabody Conservatory, Baltimore, MD
2011 – Alexander Technique and Character Development Workshop Festival Otono
2011 – l’Hiver Sous la Table (Roland Topor) Festival Otono, Azul, Argentina. Nomination Best Production, Best Director, Best Actor and Actress
2011 – Alexander Technique Workshop, Integrative Mind-Body Health Skills Symposium, Armed Forces Public Heath Conference
2011 – Welcome Home Jenny Sutter (Julie Marie Myatt) performed at the Clarice Smith Performing Arts Center, Bethesda Naval Walter Reed Medical Center, Washington DC Veteran’s Hospital, and the Armed Forces Public Health Conference.
2010- Cultural Diplomacy, Crossovers of East and West: Taipei, Taiwan
2010 – Physical Theatre, Character Development, Alexander Technique, Devised Performance, Department of Drama, National Taiwan University
2010 – American Voices a Site-Specific Performance and Installation Art Piece created and performed for the Smithsonian Institution’s National Portrait Gallery. Composer and Musical Director Colleen Harris.
2009 – Alexander Technique Workshop Woolly Mammoth Theatre Washington, DC
2009 – So Do You Love Me Yet? Written and Performed by Farah Lawall, Created with and Directed by Leslie Felbain
2009 – l’Hiver Sous la Table written by designer/artist Roland Topor this piece explores immigration, social status family, friendship, and love. Workshop production, MFA, American Conservatory Theatre, in development for international tour and production in Washington DC and NYC
2009 - Site-Specific Performance, Artist-in-Residency School of Theatre, Performance and Cultural Policy Studies, University of Warwick, England
2009 - l’Hiver Sous la Table (Roland Topor) performs at the Trece Festival de Teatro de la Habana, Cuba
2009 – Workshop exchange with Los Elementos Company in Cienfuegos, Cuba; Embodying Character
2008 - The Labyrinth Theatrical Clown Piece MFA, American Conservatory Theatre
2008 - The Ash Girl (Timberlake Wertenbaker) Produced by the School of Theatre, Dance, and Performance Studies at the University of Maryland and the Clarice Smith Performing Arts Centre. Composer and Musical Director Colleen Harris. Coached by company members Jay Randall, Drew Hirshfield, Anna Moore, Natalie Handl.
2008 - Alexander Technique and Physical Character Workshop, Oregon Shakespeare Festival
2008 - What's a little Death? A sequel to Hamlet from the perspective of the gravedigger. (playwright, Juanita Rockwell, created by Leslie Felbain & Juanita Rockwell, Composer, Chas Marsh) In collaboration with 3 hands Clapping, Performs at The Source Theatre, DC & The Baltimore Theatre Project. Musical Director Colleen Harris.
2008 - Alexander Technique and Performance Workshop, NET Gathering, New Orleans
2008 – Performance Techniques, Devised Performance; School of Theatre, Performance, and Cultural Policy Studies at the University of Warwick, England
2008 - Between Trains (playwright, Juanita Rockwell, Composer, Chas Marsh) in collaboration w/3 hands Clapping, Produced by the School of Theatre, Dance, and Performance Studies at the University of Maryland and the Clarice Smith Performing Arts Center. Musical Director Colleen Harris. Coached by Jay Randall, Anna Moore, Gwynne Flanagan
2007 – Hamlet? That is the Question, a clown adaptation of Shakespeare’s tragedy, is developed in workshop at The American Conservatory Theater in San Francisco.
2007 – Infinite Stage collaborates on an adaptation of Carlo Gozzi’s The Green Bird, produced by the School of Theatre, Dance, and Performance Studies at the University of Maryland and the Clarice smith Performing Arts Center. The production, which uses an original translation and adaptation developed by director Leslie Felbain, translator Frederica Deigan and dramaturg Kris Messer. Coached by Infinite Stage company members; Colleen Harris, Jay Randall, and Anna Moore. Composer and Musical Director Colleen Harris.
2007 - Hamlet? That is the Question premieres at Woolly Mammoth Theatre as part of The Capital Fringe Festival in Washington, DC.
2007 - Popular Theatre Movement and Character Development Workshop at the University of Michigan, Ann Arbor.
2007 - Hamlet? That is the Question workshop performance The Players Theatre, New York City
2006 - Clownscientious Objectors, Theatrical Clown Piece, MFA American Conservatory Theatre.
2006 – Site-Seeing, an original performance and installation art piece exploring immigration and The American Dream, debuts to rave reviews at The Inaugural Capital Fringe Festival, and continues with a successful run at The New York International Fringe Festival.
2006 - Neutral Mask Workshop at Colgate University.
2005 - Chez Moi, an original, theatrical clown cabaret exploring the theme ‘Where do I belong?’ performs at The Players Theatre in New York City.
2005 – Chez Moi performs at The Clarice Smith Performing Arts Center, College Park, Maryland.
Infinite Stage was founded in 2005 by Leslie Felbain, Susan Haedicke, and a core company of actors, all graduates of the American Conservatory Theater MFA Program in San Francisco, where Felbain was one of their teachers. The group initially convened to create and perform a single cabaret in New York City, and decided to formalize as a theater collective after receiving enthusiastic response from audiences in New York City and Washington DC. In 2008 Daniel Pinha joined the company after collaborating on a production at the Clarice Smith Performance Arts Center. Since its inception, Infinite Stage has devoted itself to creating inter-disciplinary and multi-cultural work as well as teaching creative process and communications skills through design and performance techniques. The company has enganged workshops and residencies in colleges, universities, cultural organizations, medical facilities, museums and community centers throughout the world. Our working process involves the immersion into a community or subject through the collection of personal stories, historical data and relevant current events. Our collective of collaborators has grown and we continue to refine the approach we use to create our work.
Copyright 2013. Infinite Stage. All Rights Reserved.