Leslie Felbain has focused her career on movement based performance and somatic practices. She is a performer, director, teacher and coach working in dance, circus and theatre. After completing her training with Jacques Lecoq and Serge Martin in France she became a core member of le dal Theater in Paris. She has an extensive international career both as a solo performer and ensemble work. Speaking several languages, she is inspired by how individuals and cultures express and share stories. Leslie is a certified teacher of the F.M. Alexander Technique, Cranio-Sacral Therapist, Somatic Experience Practitioner, and Mindfulness Meditation Facilitator. She is a faculty member in The School of Theatre, Dance, and Performance Studies at The University of Maryland, College Park. As co-director of Infinite Stage Leslie explores the intersection of creative and healing arts.
The foundation of Infinite Stage is its collaborative core. An essemble team of musicians, performers, researchers, visual artists and writers engange equally in the research and creative process so that different vocabularies and perspectives blend together in an common voice. Equally important are the people in communities who share their stories which become the inspiration for Infinite Stage.
Aidan O' Shea
Ana Marie Salamat
Anna Olivia Moore
Farah Lawal Harris
John Patrick Higgins
Katherine Leigh Hafer
Art and Expression
Daniel Pinha moved to the United States in 2006 from Brazil. After receiving a degree in Scenic Design from the Federal University of Rio de Janeiro he worked extensively throughout Brazil in theater, film and television. He received a Master of Fine Arts degree from the School of Theatre, Dance, and Performance Studies at the University of Maryland, College Park, and has worked as a designer throughout the greater DC and Baltimore areas as well as displaying some of his design work internationally. He is a faculty member in the Fine Arts Department at Loyola University Maryland. As co-director of Infinite Stage Daniel explores how spaces, environments and objects are integrated into the dramaturgical and devising process. He is inspired by how we interact as human beings and the beauty of work that is created from those interactions.
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